My performances evolve around questioning obvious realities and familiar patterns of body, movement, and interaction.
In combining performative practice and performative theory, I find it most interesting to break through the barriers between the two - enforcing embedded categories of thinking to imbalance. My choreographies aim to displace structures of stability through subversive interactions and fragments of space and time: perception and body find themselves within flexible chaotic structures - away from habit, familiarity, and ease.